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Chief Editor’s Note

In the Sallatha Sutta, the Buddha discusses the person who is struck twice by the same arrow. In the first strike, the arrow is released by forces outside the person’s control. The second time, however, the dukka is inflicted by the person’s unconsidered response. Mindfulness or present-moment-awareness is, of course, one way to gain equanimity, but it’s not the only way, is it? I mean, what do we do as writers and lovers of literature? We weave a web of words, suspend our experience in its amber grasp, turn ourselves into fossils, step out of time. Just for a bit, just for a few weeks, just for some years, but when we are done, we are in a sense, free. Freer.

The ancient Greeks held that the purpose of debate was to achieve ataraxia– peace of mind, tranquility. Why not of literature? Isn’t Art the second arrow stayed, held frozen in its path, as we remake what happened into what else had happened, what didn’t happen, what will happen, what might never could would have happened? What do we call a discipline which invents minds to contemplate experience?

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I’m moved to these thoughts because it’s August 15th, and as I write these words, the nation celebrates its independence day. Our cover for Issue 61 reflects the self-confidence and optimism which led to independence, and that too by measures which refused, until at the very end at least, to inflict self-injury upon injury. It is true that in the grand scheme of world events, of great finance and great politics and great science, a literary magazine is a nothing. It can seem like much effort for nothing. And yet, it is precisely these little, allegedly-unread nothings which relentlessly embody the truth that the considered experience is also a freeing experience. Every issue of a literary magazine announces independence day. And that is no small thing.

The question then is who is going to do this consideration. You are! Our authors have lived their bit of the tale, now it is your task to plot the arrow’s course. There are about forty contributions in Issue 61. We have, as always, poems, stories, translations, graphic fictions, and visual narratives. But this time, we have also started a new “vertical”: essays. We recruited them by two methods: the first set was via an open call and the second was via invitation. The curated set— which we call “Explorations”— had a slightly different goal in mind: the aim is to explore the protean possibilities ever-present in narrative; in short, challenge the reader. If you liked them all on the first read, we would be pleased, naturally, but also a little disappointed. Read, feel, burn, consider, write, and then come set others free.

Welcome to Issue 61 of The Bombay Literary Magazine.

Fiction

Kiran Gandhi

The 5C Girl

Mason Wageman

It’d be Good For You

Peter Gordon

Jack

Sachin Solanki

The Keeper Of A Half Memory

Troy Dagg

A New Life

Vanya Singh

They Won’t Say

Translated Fiction

Saadat Hasan Manto / Tr: Maryam Mirza && Tariq Habib Mirza

The New Law

Dacia Maraini / Tr: Adria Frizzi

The Mice of Assisi

Sujatha Selvaraj / Tr: Janani Kannan

Curtain Of Shells

V. J. James / Tr: Ministhy S.

Chitra Sutra

Pramila Pradeepan / Tr: Mishma Nixon

Satiation

M. K. Raina / Tr: Rounak Bhat

Belief

Graphic Fiction

Neha Ayub

Stench

Muskaan Singhvi

To See And Be Seen

Aditi Purwar && Archisman K

Evolving

Essays

Kopal Agarwal

A Poet-Shopkeeper

Sameen Borker

Reading, Interrupted

Tony Xavier Cheruthuruthil

Doppelgänger

Vrinda Chopra

Awkward Symphony

Visual Narratives

Poetry

Translated Poetry

Jayant Kaikini/Tr: Carol Blaizy D Souza

‘Footnote’ & Other Poems

Naresh Saxena/Tr: Kartikay Agarwal

‘It is raining over the sea’ & Other Poems

ognjenka lakićević/Tr: Rachael Daum

‘summer holiday’ & Other Poems

Sambhunath Chattopadhyay/Tr: Kingshuk Sarkar

‘Shadow Man’ & Other Poems

Shani Arnheim/Tr: Yoni Hammer Kossoy

‘A Dress of Shrouds’ & Other Poems

Pramil/Tr: Meenakshi Visvanathan

‘Epic’ & Other Poems

Explorations

Curator: Felipe Franco Munhoz

Felipe Franco Munhoz

Intertextual Tourists

Lucrecia Zappi

we planned our exit carefully

Panagiotis Kehagias

The Depths Under the Depths

Daryl Li

AR_CHV/ /FVR

Gina Athena Ulysse

Sketches

Nada Alturki

On Losing Meaning

Jeana Scotti

A Witness in the Diner – Producing a Play in a Restaurant

ISSUE 61 | FICTION

Vanya Singh
Kiran Gandhi
Troy Dagg
Mason Wageman
Peter Gordon

ISSUE 61 | Visual Narrative

ISSUE 61 | TRANSLATED FICTION

Sujatha Selvaraj/ Tr: Janani Kannan
Dacia Maraini/ Tr: Adria Frizzi
M. K. Raina/ Tr: Rounak Bhat
Pramila Pradeepan/ Tr: Mishma Nixon
V. J. James/ Tr: Ministhy S.
Saadat Hasan Manto/ Tr: Maryam Mirza & Tariq Habib Mirza

ISSUE 61 | TRANSLATED POETRY

Jayant Kaikini/ Tr: Carol Blaizy D Souza
ognjenka lakićević/ Tr: Rachael Daum
Naresh Saxena/ Tr: Kartikay Agarwal
Pramil/ Tr: Meenakshi Visvanathan
Shani Arnheim/ Tr: Yoni Hammer Kossoy
Sambhunath Chattopadhyay/ Tr: Kingshuk Sarkar

ISSUE 61 | GRAPHIC FICTION

Neha Ayub
Muskaan Singhvi
Aditi Purwar & Archisman K

ISSUE 61 | EXPLORATIONS

CURATOR: FELIPE FRANCO MUNHOZ
Panagiotis Kehagias
Daryl Li
Nada Alturki
Gina Athena Ulysse
Felipe Franco Munhoz

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