ISSUE E5 | Poetry | October 2021

Three Poems

Karan Kapoor

Saffron

An avid reader of the Punjab Kesari, my father

uses the toilet longer than any man.

Forgetting how these conversations always end,

I express my repugnance over a mob lynching.

If they know beef hurts our

sentiments, he asks me, why eat it?

On the screen, a pack of gray wolves

hungry for days, hound a reindeer.

I tell him lynchings are unjust

even if someone eats a cow solely to offend.

How can you ever compare human life

with a cow’s?

The music in the room rises to a crescendo

falls to the sound of teeth against neck.

Deer in the jaw of a wolf — the pack slows,

the death of their hunger close.

A hundred and one Muslims can be sacrificed

for a single hair of a cow.

The Nat Geo narrator calls it the circle of life.

My father calls it survival.

My Helpless Ode

My father asks me to write

a perfect poem, one with no moon.

All moon-poems are clichés,

he says, plus it makes me think

of Muslims and you know how

I feel about them. So if there is

even half a moon in your poem,

I’ll drink tonight. I chip the moon

from my perfect poem and look

for other things. I try to add

oranges, honeybees, a fire licking

a lake of knives, a woman who

is smoke if you look closely, a pig

which is not really a pig but a man

with a dead dog in his arms,

a laughing light, a pink clock

with Shaolin swords as its arms,

Sisyphus’ boulder rolling down,

winged apples, walking pens,

a yawning book — I stash

these images in the refrigerator,

and when my father asks me

to serve him a perfect poem, I offer

him a Black Dog. He’s so dazzled

that instead of saying your poem

couldn’t have been more perfect,

if there is a thing such as that,

he forgets his promise and swigs

the whisky neat, wipes his lips

into a grin. I cry green

tears and dream of carrying

a crescent moon on my head

for the rest of the night.

Nine Reasons to Write a Ghazal in a Time of Fascism

Draw on tongues of two worlds to light a ghazal.

Hijack the fire of the sun, sing the night a ghazal.

You are a passenger of grief, your Stygian

soul one noun alone ignites: a ghazal.

Some break a mosque, some build a temple.

Some bite the bullet, I bite a ghazal.

Blackbird, parrot, nightingale, all need to sing.

When we can compose, why fight a ghazal?

The world brims with bruises and paper.

Curves of words spark respite—a ghazal!

Words elude us in weighted times.

Give in to the want of calm, flight a ghazal.

They’ve changed names of cities, now erasing Nehru;

write, write before they come to set alight a ghazal.

It is a body suited to joy and light. I want to pen—

though, father, you look at me with spite—a ghazal.

Karan, are you ashamed of being a Hindu?

If not, then why should you write a ghazal?